If you want editors to notice (and publish) your poetry, here are some ways you can get a competitive edge.

Avoid one-word titles. Or at least be sure your one-word title is amazing and unique. Titles like “Inspiration,” “Passion,” or “Remember” are easy to overlook because they don’t pack a punch.

Reject clichés. They say there are no new ideas, but you’ve got to write in a fresh, new way. To know if your writing is truly innovative, you’ve got to keep an eye on what other poets are up to. Read contemporary poetry. Lots of it. That’s the only way you’ll know where you stand in relation to your peers.

Short and sweet. Poems that are one page long seem to be the most popular among editors (who are often pressed for space in their literary magazines). Also, watch your margins. A poem that is too wide may not fit on the pages of literary journals.

Nix the rhyme. Rhyming poetry is difficult to publish. For that reason, we can’t even work with poets who primarily focus on rhyme. If you want to rhyme, please do. There are plenty of venues online and even a few print journals for rhyming poets. Just know that at many magazines, rhyme is not favored.

Build a strong bio. The better your bio, the more likely you’ll be well-received. Don’t be discouraged if you have no credentials. Start small and work your way up. If you get too frustrated doing it on your own, find an author’s submission service that can help.

Submit three to five poems per submission. Also, don’t submit more than ten pages total (5-8 pages is best). You don’t want to skimp or overwhelm editors with too many or too few poems.

Ronnie Smith is President of Writer’s Relief. Ronnie tells us “Writer’s Relief (est. 1994) is a highly recommended author’s submission service. We act as specialized advisors and industry-specific personal assistants to help creative writers navigate the ins and outs of publishing. Along with strategically targeting submissions to the best-suited markets, we provide professional manuscript preparation, formatting, proofreading, market research, and tracking. We are endorsed by many in the writing community, and our clients include established authors, celebrated poets, tenured professors, editors, and promising new writers.

Visit http://www.WritersRelief.com to learn how we can help you submit your creative writing to agents and editors. Our FREE Writers’ Newsflash offers useful articles and fun contests for writers of all levels. See you there!”

Enjoy that? You can read more from Ronnie at The Cuckleburr Times here.

Related posts:

1. Six Things Your Mother Doesn’t Know About Writing Poetry
2. Short Story Techniques That Get Writers Published
3. Should You Tell Literary Agents & Editors About Your Self-Published Book?
4. Literary Agent Scams – How to Protect Yourself From Con Artists
5. Publication Credits – Build Up Your Bio (Super Fast) For Your Cover and Query Letters

You’ve probably thought about your general temperament and how it impacts your relationships. For instance, you have some idea about what kind of friend you are, what kind of parent or sibling or spouse or significant other. But have you ever thought about what kind of writer you are? Finding out can tell you a great deal about your relationship with writing and can reveal ways you can be more productive.

Honestly assessing your writing temperament and holding an awareness of it as you work can help you avoid time-wasting tendencies and reaffirm routines that are already working. And since so much of writing is putting yourself on the page (regardless of your genre or subject), if you have a clearer picture of your writing self, your finished product will be richer for it.

Here’s the complete list of the most common writing temperaments:

1) Sir Starts-a-lot

2) The Perfectionist

3) Fool for a Deadline

4) The Island (includes (a) The Over-confident Island and (b) The Fearful Island)

5) The Tofu Artist (a.k.a. The Feedback-Dependent Writer)

I’ll devote a separate article to each temperament.

(Note: to avoid s/he overload, I’ve decided to alternate pronouns from article to article. In no way do I mean to imply that certain genders are more likely to exhibit certain tendencies at the writing desk.)

2) The Perfectionist

Like Sir Starts-a-lot, the Perfectionist doesn’t get submissions in the mail either, but for very different reasons. The Perfectionist just never believes her manuscript is really, really ready. If her work-in-progress were a preschooler on the verge of Kindergarten, she would hold the little dude back until adolescence passed him by and he was shaving every day, still claiming she could do more to prepare her son for the rigors of school.

Okay, as hard as it is, at the right time we have to let them go: human offspring and creative offspring alike.

If you socialize with other writers, odds are you know someone who has been working (really working, not slacking) on the same piece for years and years. Your writer’s group encourages her to send it out (through clever e-cards, decorated cupcakes, even the chilled champagne you smuggled into the bookstore where you meet), but she insists it’s not ready and tweaks it yet again.

The right dose of perfectionism (in short, temporary bursts) can actually be a good thing, because it pushes you to insist that your work be the best it can, but too much perfectionism can lead you down the road toward obsession, prevent you from getting published, and ultimately keep you from ever starting anything new. Don’t fool yourself into believing that if you focus all your time and energy on finding the elusive “Perfect” in your work you’ll be rewarded with something flawless. Remember the words of Gustave Flaubert, “Artists who seek perfection in everything are those who cannot attain it in anything.”

If you’re a Perfectionist, odds are your manuscript will never feel 100% ready. But push yourself to take the plunge and submit it when it feels “good enough.” If your critique group is begging you to send it out (if they try to steal your flash drive so that they can do it themselves), you know you have to relax your unrealistically high standards so that you can add your words to the conversation known as the printed word.

Listen to the little voice inside that’s trying to remind you of how much time and effort you’ve spent on the work. Sure, you could always find more to do, but it’s time to wrap this one up and begin something new.

The BENEFIT of this temperament: Your piece is GOOD. Really good. You take pride in your work. You have high standards and insist on meeting them. That in and of itself sets you apart from many people who want to write for publication but think revision is optional.

The COST of this temperament: But if you keep your manuscript chained to a treadmill of never-ending revision, no one but your immediate family will ever get the chance to admire your high standards. Further, you’re not stretching and growing as a writer: unless your revisions include major overhauls, new chapters and a substantive amount of rethinking and rewriting, you’re only using one side of your brain when you edit (the logical, organizing side).

You can afford to hang around Sir Starts-a-lot’s table in order to remember what inventing new ideas feels like. Writers get better with each article, story, poem or book they finish. Don’t limit yourself to perfecting and polishing the same thing and thereby condemn yourself to editorial limbo.

(Rule of thumb: if you’re memorizing your novel – without trying — you’re spending too much time on it.)

And remember: If writing is important to you (second only to a select group of humans), you can succeed with the right attitude, no matter what writing temperament you are.

Check out the first article in the series, “Assess Your Writing Temperament and Be More Productive, Part 1.”

Coming soon: Watch for the next discussion of writing temperaments with number 3, “Fool for a Deadline.”

Lucia Zimmitti, a writing coach and independent editor, is a member of the Society of Children’s Book Writers and Illustrators and the Editorial Freelancers Association. Her fiction and poetry have been published in various national literary journals, and she has taught writing at the high school and college levels.

To discover more ways to make your writing habit more efficient, satisfying and fun visit ManuscriptRx and sign up for “Write Through It,” a free, monthly e-newsletter newsletter that offers practical writing advice and anecdotal wisdom.

Related posts:

1. Your Writing Habit – The Solitary Mindset That Might Be Holding You Back
2. Your Writing Life – Are You Too Dependent on Input From Other People?
3. Assess Your Writing Temperament and Be More Productive
4. How You Write – Are You a Deadline Junkie?
5. Stepmother Sisterhood: The Pros and Cons of Online Support
6. In My Opinion, I Think That I Believe This is Bad Writing